This drawing Daniel, faculty, did once he arrived back from the program last year. The source material was from several drawings and pictures of different vistas of Rome. He also incorporates some of the visual elements that he experienced while visiting museums in Rome and walking around Pompeii. He learned a great number of the frescoes create a sense of theatre. Since many of rooms had few to no windows, keeps the residence cool, the frescoes added an element of space and theatrics. Here he added a stage and top beam to compress the image, creating a focus to the central image.

Daniel Abrams' experience in Pompeii

This sketch our faculty member, Daniel Abrams, completed while with the participants in Pompeii. He was amazed by the complexity of the structures and the breath-taking beauty of the surrounding mountains. The experience of being able to draw in Pompeii and see the immense amount of artwork including the Villa of Mysteries has had a profound affect on his artwork. Everywhere he went through-out the city he found different elements which he wanted to capture. This has led Daniel to create pieces which are inspired by pre-renaissance, single ground plane/multiple perspective, description of space instead of a modern single-perspective space. He is looking forward to taking future participants to Pompeii and discussing compelling elements of drawing.

One of the beautiful things about creating artwork in Rome is the ability to bring home all of the pieces to your studio and see what the pieces can develop into. Here is a piece that one of our participants created last year. One of the reason this piece catches my eye is the endless possibilities that it opens. It is a great study that can be taken into the studio and be used as information for many future paintings.

Fellini's "Roma"

Over the past two weeks, Jan 18-29, Carole Robb has been teaching a drawing marathon and she based the inspiration of the marathon on Fellini's Roma - a movie comprised of vignettes of Fellini's experience and feelings of Rome. The pieces the students composed varied greatly, one artist created pieces with a great feeling of a stage, similar to early Roman paintings. The space was condensed, with an Ensoresque handling of the paint, drawing at once from the still images of the film and the grittiness of Fellini's description.

Another was inspired by the oedipal connotations in the film and created a wonderful piece with a feeling of a mid-career Matisse - with the handling of fabric, a splash of Bonnard - a surprise when you least expect it, and dash of German Expressionism - figuration. The painting works amazing well, capturing the scene with inventiveness, and best of all the amount of gold she used works.

The struggle with this film many had is with its atonal nature. Fellini did an amazing job putting all of these vignettes together and having them hold together without the assistance of a plot. Two artist I thought did a great job handling this. One began, what I hope will become a series, several pieces overlaying heads. Editing out early ones and laying more on top. When viewing them from a distance one can imagine them being roman clouds -- a stair way to heaven. It will be interesting to see how she develops the pieces. The other artist handles it a bit more concretely, using the Colosseum and it arches as a means to tell different stories. She admits and desires push the piece further, but at the moment it is starting to remind me of the first segment of the film New York Stories.

It was a great idea for Carole to base the marathon on Fellini and from what I saw it assisted the artists to begin opening some doors.

The Rome Art Program is designed to inspire artists to expand their artistic vision through painting and drawing on the streets of Rome and Florence, and in the countryside of Umbria—expanding on the plein-air tradition of earlier generations of artists.

The program assists artists by providing the time and instruction, if desired, to see the city and nature in new and amazing ways. We will be painting and drawing from the buildings that Michelangelo and Raphael designed. We will see how the city interacts with the historical and modern elements and the limitless possibilities we have in communicating it in our pieces.

Throughout the program there will be trips to museums, field trips, and chances to go to galleries and attend lectures at the American and British Academies.

It will be a very intense and fun experience to be part of.